Brain on Fire by Susannah Cahalan

Brain on Fire  is the true story of a young woman who had it all together and inexplicably begins to lose it. She begins to have odd physical problems, paranoia, and other various irrational behaviors. Her family and friends are shocked and don't know what to do. Fortunately, they manage to get her the help she needs.

What makes this book so special? Well, the author and subject is an amazingly gifted writer. She's also a reporter and a thorough researcher. She did a great job of going back to the times that she couldn't remember and getting information to fill in the blanks of what happened. She admits she is biased, as we all are when telling our own stories. But Susannah (I feel like I got to know her so well by reading this book that we are on a first name basis) tries hard to be fair to everyone involved in her trip through madness. Another thing that makes it an enjoyable read is her recovery, and the bittersweetness of the researching/telling her story (i.e., writing the book) which is integral to her getting her life back and moving on to keep living. I found her inspiring. 

Definitely recommend this one, and hope she will continue to write books ... I would read pretty much anything she writes. 

Reviewer:  Lorien Goodale

Guitar Zero by Gary Marcus

As a new student of the bass guitar (and in my forties) I was intrigued by the author's personal story. After trying unsuccessfully to play musical instruments in the past, he took up the guitar in his late thirties. He wondered how disadvantaged he would be by his age, lack of experience, and apparent lack of rhythm. The book is the result of research into his questions. Is there a gene for musical talent? Does one's age at beginning to learn about music really matter, and how much? What are the advantages of pursuing music - even if you could never be a professional? 

There is a lot about how the brain works. Honestly, it is not the kind of book I usually read, and I went into it thinking I could skim the research/scientific parts if it got too painful. I was surprised and relieved to find that this aspect wasn't bad. Most of it was interesting. I loved reading about the author's experiences learning the guitar, and his interviews with gifted musicians. It was great to hear all these different perspectives on playing stringed instruments and the music world. And the actual text of the book is about 200 pages, which is not really that long. 

I recommend this book to people who are considering taking up musical training at any age, or their parents, and to anyone who is interested in how musicians are made and think.  

Reviewer:  Lorien Goodale